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Showing posts with label starch. Show all posts
Showing posts with label starch. Show all posts

Friday, August 12, 2011

chapter 10 - translation of starch and shisha designs

Back for the moment to Chapter 10 where I took a few of the designs created from chapts 5 and 6 and translated them into embroideries principally using the stitches featured in this module eg. couching, metallic threads.
I looked at 3 starch paste designs and 2 designs from the shisha chapters.  The design is first followed by the stitching.

10.1a

10.1b
 The background was made using a mixture of bias cut rouleaux and strips of metallic shears, couched down.  Clusters of whipstitch were scattered about using green in the bobbin.  Cords made on the machine were couched down last.


10.2a


10.2b

10.2c
A woven pattern was made using dyed silk dupion strips edged with couched cords as the background.  Gold and copper threads were stitched on top in loose whip stitch.

10.3a

10.3b

10.3c

Background is dyed homespun with cablestitched circles.  Green wool roving needlefelted through from the back to make the circle patterns less distinct.  The white 'needlefelt' effect came from the stiff interfacing backing embellished through in the process.  Spirals of copper mesh were couched down with free motion whip stitch using metallic thread in the bobbin.

10.4a

10.4b


10.4c
Background was black boiled wool for texture.  Twisted dyed perle cords were couched down using black thread, densely in places to break up the 'lines'.  Scattered whipstitch in black with yellow in bobbin.  Copper mesh couched down, black thread.

10.5a

10.5b

Stitched on a background of black wool again, the coiled shapes were cable stitched from the back using different thicknesses of white, yellow perle and copper metallic threads.

Tuesday, August 31, 2010

Relief surfaces - starch paste

I had a go at making starch paste acording to Sian's recipe on the stove top but I had to add more water after it cooled because it was a bit of a rubbery brick cold, resembling more of a gelatin mould than wallpaper paste.  However, paste made I added Procion dyes powders to it divided into about 4 quatities.  Like others before me I was surprised at how strong the colours were and then how curled the papers were once they'd dried!  The first few I made, produced interesting cracks in the dried paste once I tried to flatten them.  I have scanned sections of three of these made using brown, olive, golden yellow and red dyes.



 

I then added highlights of treasure gold on to some of these papers but found that the relief was not suffucient to see the metallic touches so chose to make monoprints of metallic acrylic paints on top trying to mimic the types of patterns I had made in the paste.




I also made rubbings over texture plates with metallic Markal sticks.  There are a couple of examples below.